My work focuses on feminism, exploring social and political issues that affect both the United States and Mexico, with particular emphasis on my hometown of Ciudad Juárez. Influenced by the widespread disappearances and femicides impacting women in my city, as well as the corruption within our police and government systems that often allow perpetrators to go unpunished, my feminist pieces aim to spark uncomfortable conversations. Despite the visual differences across my work, the central goal remains the same: to challenge viewers potential apathy toward issues that greatly affect our communities.
I work with materials such as charcoal, pastels, inks, printed media, pen, non-ferrous metals, and found objects, often incorporating organic and unstable materials to create unpredictable outcomes. These diverse materials reflect my daily experiences, particularly commuting between the U.S./Mexico border.
My artistic approach has become less controlled, embracing processes driven by chance and mark-making. Letting go of control challenges me to rely on my adaptability while ensuring the meaning in my work remains intact. This evolving process has opened numerous avenues for exploring political and feminist themes. My methods continue to shift, from experimenting with new materials to balancing personal input with external influences—navigating the delicate relationship between control and uncertainty in each piece.
My work often incorporates writing as a means of expression and a direct way to communicate my thoughts. However, because writing can be deeply personal, I intentionally make it less obvious and hard to decipher. I want my audience to engage in seeking the meaning, if they truly wish to understand, they must make an effort to uncover it.
This raises an important question: How much should I intervene to ensure my work compels the audience to confront uncomfortable truths they would rather ignore?